In a vague hope of sharing the three-dimensional qualities of Dry Spell’s shaped canvas and keeping in mind the limitations of two-dimensional media, I had to change my approach. Instead of attempting to include everything, I moved in close–showing just portions of Dry Spell. Using close-ups allowed me drastically different viewing angles–and although segmented, a more complete experience for the viewer.￼
The aesthetic qualities of what was initially only meant as details surprised me. The close-ups now seemed to take on a life of their own as little independent expressions, perhaps worthy of being shared and displayed as prints?