105 x 65 cm, acrylic paint on canvas.
By seeking a more universal representation of the figure and excluding all but the actual torso, I hoped to give credit to the sculptural qualities of the female form and not let the aesthetics be an obstacle to the feelings of the piece.
The emotive qualities were however my top priority. Although perhaps entirely too ambitious, I was looking to depict the inner solace found at the core of total acceptance–not just by others but also oneself.
The cooler tones dominating the piece while the composition eliminates all but a faceless torso, is to make viewing it a less personal and more universal experience, creating a comfortable distance for the viewer to enter the space, and relate.
The thought behind this piece is one of great importance to me, acceptance. When accepted and respected, we seem to become better versions of ourselves. This is my visual representation of that acceptance.